Fashion’s high stakes: the role of IP
The copying of fashion and clothing designs is so endemic it appears almost accepted. But, a designer’s creative output is their intellectual property and should be protected as such, argues trademark attorney Alastair Rawlence. He sets out tools for protection.
Few consumers can afford the haute couture paraded on international catwalks or worn by celebrities on red carpets. But, as grateful as many of these consumers may be when those designs eventually filter down to high-street stores, they generally only arrive there via the kind of copying and subtle knock-offs that would be considered unacceptable in many other creative industries. So, why is copying not just institutionalised, but also considered acceptable in the fashion sector?
Many cite the fast-moving nature of the fashion retail sector as a reason for not dedicating resources or attention to the protection of fashion, clothing and accessory designs. In a fast-paced consumer sector like fashion, popular styles sell out almost as quickly as they hit the shop floor and retailers need to ensure a rapid turnover of new, and often low-priced, stock if they are to keep their shoppers’ attention.
In this environment, the time taken to bring legal infringement actions can appear overly long and the cost too prohibitive; particularly as, in many cases, the design in question will no longer be in use by the time the action is ready to be pursued.
This has added to the sense of lethargy that has existed traditionally around stomping down on piracy in the sector. However, this is beginning to change. The growing availability of counterfeit goods, the advances in digital technology that have improved the ease and speed in which goods can be copied and produced, and the relocation of manufacturing sites to the Far East have all begun to focus fashion brands’ awareness on the importance of intellectual property (IP).
Recurring plagiarism cases against high-street chains from everyone from haute couture fashion designers to recent fashion graduates, represent part of this shift change. The sector is increasingly recognising the value of its IP and understanding that unauthorised copying not just constitutes an infringement of those IP rights, but also has a major impact on their bottom line and reputation. The question is: what can they do about it?
Creating a protection strategy
The majority of infringement actions brought at present are done so on the basis of a designer’s copyright or unregistered design rights. But, while these rights are valuable, they are not always the most effective routes for action; particularly as they can be difficult to prove and, therefore, enforce. In comparison, a registered design right is a more certain and arguable right, giving its owner a clear legal redress in the case of infringement. Given that the cost of a design registration is relatively low, it’s worth protecting key innovations regularly, even if they have a limited lifespan.
It’s important to remember too that not all fashion designs will have such a short existence. After all, the little black dress, the mini skirt, the ‘skort’ (skirt-short) were all novel creations when they first hit the catwalk.
Similarly, many of the best-known fashion brands have built their reputations on iconic styles and motifs that have retained consumer interest as the brand has grown and evolved: Louboutin’s red sole, the Burberry check, Levi 501s, Ray-Ban’s Aviator sunglasses, Doc Martin boots, Havaianas and, more recently, the distinctive slouch of the Ugg boot.
Any new styles, like these, that are created as part of a company identity will obviously have a longer lifespan and should be protected and enforced proactively; although, it can often be difficult within the sector to identify a style that will endure beyond the current trends.
At Novagraaf, we work with our clients in the fashion sector to help them to decide when and what to protect, and to understand the benefits of doing so. In the current economic environment, protection from unauthorised copying is becoming incredibly important in all sectors. Launching a new fashion design takes time, resources and creativity, so why would you let another company have a free ride on all that hard work?
IP laws and practices exist to help companies protect their innovation and creativity. By working with a specialist IP consultancy like Novagraaf, fashion designers and brands can create a protection strategy that works for their industries and budgets.
Alastair Rawlence is a trademark attorney at Novagraaf UK’s Manchester office.
Fashion IP checklist
Are you aware of the importance of IP to your business? Have you protected your IP? Do you know that you can use your IP rights to prevent others from stealing your ideas? The fashion industry is a fast moving industry with frequent changes and considerable opportunities for IP theft. Let us help you to stop others from benefiting from your creativity and reputation.
How can Novagraaf help?
- By protecting your name and product names by registering them as trademarks;
- By protecting the shape and pattern of your products with registered designs;
- By helping you to ensure that any designs that you commission are your property by organising assignments of any copyright and design rights to you;
- By advising on licensing appropriate third parties to use your IP and thus keep the benefit of that use for your company;
- By monitoring counterfeit goods and taking appropriate action when counterfeits are found; and
- By conducting searches to ensure that your new product lines do not infringe other third party rights.
Novagraaf’s professional advisory services are complemented by sophisticated IT packages to help you monitor and maintain your IP portfolio.
Would you like to know more? Please get in touch with Novagraaf. You can do this by using the contact form on the top right of the page.Tweet